FLORINE DEMOSTHENE
I’ve been intrigued by the black female body in contemporary visual culture and I’m piqued by how her physical size is suppose to dictate a certain set of ideals and behavior. Borrowing from Jonathan Swifts, Gulliver’s Travels, I chronicled my journey through the Caribbean and West Africa in a series of drawings entitled, The Capture. These mix media pieces, textual mélanges of ink, oil, graphite and charcoal, depict voluptuous female figures amid a strange world of decay and destruction.

The Capture is the initial phase to constructing a non-typical black female heroine persona. By delving into the subconscious mind of a fictitious black heroine and the ephemeral quality of her thoughts and experiences, The Capture is an attempt to structure a new mythology that explores black female sexuality and sensuality.